
想创作具有影棚级质感且情绪松弛的艺术大片,却苦于无法完美呈现 盛唐宫廷美人清晨卸妆超写实CG插画 中复杂的细节与光影质感?
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Struggling to create High Tang Dynasty Court Beauty Dawn Makeup Removal Cg Illustration with a high-end editorial style? Nanobanana Pro captures the textures and lighting details perfectly for a hyper-realistic masterpiece. Get FREE Prompt, enjoy one-click copy, and create instantly!
Prompt (English):
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9:16 vertical version, single independent image, no collage, no text. Guofeng hyper-realistic CG illustration, High Tang court aesthetics, an intimate makeup removal portrait with the interplay of cold dawn light and warm residual candle light.
A clearly adult East Asian classical beauty sits at a dressing table, half-body close-up composition, the character is in the center of the frame, body turned slightly to the left, with the left shoulder closer to the camera. She looks down toward the lower left, with a quiet, tired, and soft expression, as if having a brief moment of emptiness after a long night banquet. Her right hand is raised to behind her right ear, five fingers naturally inserted between loose long hair, lightly supporting a horizontal gold hairpin that has not yet been removed, not a posed touch.
She has a soft oval face, narrow phoenix eyes, a slender bridge of the nose, and naturally full rouge-colored lips. The eyelids have low-saturation peach-pink and warm-brown residual makeup, the ends of the eyes are slightly smudged, eyes are downcast, not looking at the camera. The skin is cold-white and translucent but realistic, retaining pores, vellus hair, slight fatigue under the eyes, natural flush, and small skin tone differences; the luster on the forehead, cheeks, and neck is restrained, with no plastic-like continuous highlights.
Her black long hair is piled into a magnificent high bun, but the structure is already loose, with several slender hair strands scattered on the sides of her face and chest. She wears a large gold-plated phoenix crown, the crown body is located towards the back of the top of the head, the phoenix wings extend to the upper left and right, equipped with flower branches, pearls, small gold bells, and dense hanging chains. Several gold hairpins are inserted horizontally on the right side, one of which is lightly supported by her fingers; pearl tassels fall naturally behind the ears and the side of the neck.
She wears a low-saturation lotus-pink Tang-style tube top dress, with a transparent pink gauze large-sleeved robe draped over it, featuring very delicate gold thread floral embroidery on the chest, placket, and cuffs. The fabric is soft and thin, the sleeves naturally pile up on the edge of the dressing table, showing real gauze texture and small folds.
The foreground dressing table is a dark wood or leather-edged tabletop. At the bottom left is a short, thick candle that has clearly melted and is about to burn out; in the center are two stacked circular rouge boxes, one open to reveal dark red rouge; on the right lies a long gold hairpin that has already been removed and a few small gold ornaments. A blurred black-gold mirror stand or incense burner appears in the bottom right corner as a foreground obstruction.
Cold dawn light enters from between the curtains and lattice windows on the upper left, forming a distinct but soft cold blue-gray light band, illuminating the character's left forehead, bridge of the nose, cheeks, shoulders, and hair outlines. The residual candle at the bottom left provides warm gold fill light, illuminating the inner arm, the gold threads of the sleeves, the rouge box, and some gold ornaments. Cold light dominates, candle light only serves as small warm color accents, creating a sense of time as the night is about to end.
85mm portrait lens, f/1.8, shallow depth of field, face, fingers behind the ear, and the main body of the phoenix crown are clear, items on the table are slightly blurred, and background curtains and court space are completely soft focus. The screen colors are mainly low-saturation lotus pink, old gold, cold blue-gray, and dark brown, slight film grain, soft high dynamic range, details in the shadows, highlights not overexposed. Overall atmosphere is quiet, cold, restrained, fragile, and noble, the visual focus is the huge phoenix crown and loose hair strands in the cold morning light.
Avoid minors or juvenile characters, cheap ancient costume photo studio feel, modern accessories, modern makeup, internet celebrity plastic surgery faces, anime eyes, plastic skin, excessive exposure, wrong hands, abnormal number of fingers, hairpins penetrating the head, jewelry sticking together, floating phoenix crown, extra limbs, extra characters, multiple faces in the mirror, cluttered background, overexposure, over-saturation, text, logos, and watermarks.
中文参考:
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9:16 竖版,单张独立图片,不要拼图,不要文字。国风超写实 CG 插画,盛唐宫廷美学,黎明冷光与残烛暖光交织的私密卸妆人像。
一位明确成年的东亚古典美人坐在梳妆台前,半身近景构图,人物位于画面中央,身体略微朝左侧转动,左肩更靠近镜头。她低头望向左下方,神情安静、疲惫、柔和,像是在漫长夜宴结束后短暂放空。右手抬至右侧耳后,五指自然插入松散长发之间,轻轻扶住一支尚未取下的横向金簪,并非摆拍式触碰。
她拥有柔和鹅蛋脸、狭长凤眼、纤细鼻梁与自然饱满的胭脂色嘴唇。眼皮带有低饱和桃粉和暖棕色残妆,眼尾略微晕染,眼睛低垂,不看镜头。肌肤冷白透亮但真实,保留毛孔、绒毛、眼下轻微疲态、自然红润和细小肤色差异;额头、脸颊和肩颈的光泽克制,不出现塑料般连续高光。
乌黑长发堆叠成华丽高髻,但结构已经松动,脸侧和胸前散落多根细长发丝。头戴大型鎏金凤凰冠,冠体位于头顶偏后方,凤凰双翼向左右上方延伸,配有花枝、珍珠、小型金铃和细密垂链。右侧横向插着数根金簪,其中一支被她的手指轻轻扶住;珍珠流苏沿耳后和颈侧自然垂落。
她穿低饱和藕粉色唐风抹胸长裙,外披透明粉纱大袖衫,胸前、衣襟和袖口带有非常细腻的金线花卉刺绣。衣料柔软、轻薄,袖子自然堆叠在梳妆台边缘,展现真实纱织纹理与细小褶皱。
前景梳妆台为深色木质或皮革包边台面。左下方是一盏融化明显、即将燃尽的粗短蜡烛;中央放置两只叠放的圆形胭脂盒,一只打开并露出暗红色胭脂;右侧平放一支已经取下的长金簪与少量细小金饰。右下角出现虚化的黑金色镜架或香具作为前景遮挡。
黎明冷光从左上方的帷幔与格窗之间进入,形成明显但柔和的冷青灰光带,照亮人物左侧额头、鼻梁、脸颊、肩膀和发丝轮廓。左下方残烛提供暖金色补光,照亮手臂内侧、衣袖金线、胭脂盒和部分金饰。冷光占据主导,烛光仅作为细小暖色点缀,营造夜晚即将结束的时间感。
85mm 人像镜头,f/1.8,浅景深,面部、耳后手指和凤冠主体清晰,桌面物品略微虚化,背景帷幔和宫廷空间完全柔焦。画面色彩以低饱和藕粉、旧金、冷青灰、深棕为主,轻微胶片颗粒,柔和高动态范围,暗部有细节,高光不过曝。整体氛围安静、清冷、克制、脆弱而尊贵,视觉重点是冷晨光中的巨大凤冠与松散发丝。
避免未成年或幼态人物、廉价古装影楼感、现代饰品、现代妆容、网红整容脸、动漫眼睛、塑料皮肤、过度裸露、错误手部、手指数量异常、发簪穿透头部、首饰粘连、凤冠悬浮、多余肢体、多余人物、镜中多脸、背景杂乱、过曝、过饱和、文字、标志和水印。



