New Folk Art Paper Cut Collage Poster Design | 新民艺剪纸拼贴海报设计

Prompt (English):

Please turn each photo I upload into an independent high-end design poster, no multi-photo stitching, output each photo individually. The overall composition uses a 3:4 vertical format, with the top and bottom areas strictly 1:1 in height, each occupying 50% of the frame.

The upper half retains the original photo, maintaining the subject's identity, structure, posture, realistic texture, natural lighting, and original color atmosphere, with only slight high-end color grading to give it the quality of an art magazine, independent publication, or exhibition image. To adapt to the frame, the environmental background can be naturally extended, but the subject must not be stretched, distorted, or changed.

The lower half extracts the most recognizable subject, outline, posture, and narrative relationship from the photo, reconstructing it into a flat illustration in the style of new folk art paper-cut collage. Do not completely copy the photo; instead, remove irrelevant details, retaining only the structures, trends, and visual memory points that best represent the original. Re-summarize through silhouettes, color blocks, cut lines, positive/negative shapes, and a small amount of layering, so people can recognize the correspondence between it and the photo above at a glance. Subjects, plants, buildings, animals, artifacts, or environmental elements should be recombined like pieces of independent colored paper; shapes can be moderately naive, symbolic, or geometric, not pursuing realistic perspective and complex details, but emphasizing a sense of culture, craftsmanship, and contemporary design.

The composition maintains the relationship of small-scale subject / seal-like main visual + large area of white space, freely arranging positions according to the subject's own direction, proportion, and visual center of gravity, which can be eccentric, edge-aligned, or partially cropped, but always maintains clear primary and secondary order, density rhythm, and editorial balance. The subject can be concentrated on one side or at the bottom to form a visual focal point, with only a very small amount of auxiliary elements around it, avoiding the formation of multiple equal focuses.

The material presents a paper-cut collage + printmaking feel: the edges of color blocks can have a slight manual cutting feel, slight registration deviations, ink loss, and gentle grain, retaining the texture of paper fibers and art paper bases, avoiding smooth vectors, 3D rendering, photo filters, and over-refinement. The background is mainly off-white, warm white, or light paper color, retaining quiet and sufficient white space.

The color scheme extracts 2–4 most recognizable colors from the photo above, transforming them into a vivid but restrained, bright but not glaring flat color block system; it can be moderately purified, brightened, and organized to form a clear hierarchy of main colors, auxiliary colors, and a few finishing touches, which both retains the emotion and identity of the original image and has the contemporary high-end feel of folk art collage, avoiding gray/dirty, dull, cheap candy-like, and messy color schemes.

A small amount of text is involved, with no language restrictions. Based on the subject, location, emotion, cultural imagery, or symbolic meaning of the photo, freely refine short titles, small notes, numbers, color value markings, or explanatory fragments. The text should be small, light, and restrained, naturally falling in the white space or layout corners, forming an exquisite graphic-text relationship with the graphics, without stacking commercial titles.

The overall presentation features New Folk Art, paper-cut collage, symbolic shapes, printmaking texture, large white space, and editorial layout to form a high-end visual effect, referencing contemporary folk-art illustration with paper-cut collage aesthetics, symbolic geometric forms, screen-print texture and editorial layout. Avoid realistic illustration, complex perspective, overly dense details, cartoonishness, 3D feel, templated poster feel, and cheap cultural-creative product feel.

中文参考:

请将我上传的每一张照片分别制作成一张独立的高级设计海报，不多图拼接，每张照片单独输出。整体采用3:4竖版构图，上下两个区域高度严格1:1，各占画面50%。

上半部分保留原始照片，保持主体身份、结构、姿态、真实质感、自然光影和原有色彩氛围，仅进行轻微高级调色，使其具有艺术杂志、独立出版物与展览图像质感。为适配画幅，可自然扩展环境背景，但不得拉伸、扭曲或改变主体。

下半部分提取照片中最具识别性的**主体、轮廓、姿态与叙事关系**，重构为**新民艺剪纸拼贴风的扁平化插画**。不要完整复制照片，而是删去无关细节，只保留最能代表原物的结构、走势与视觉记忆点，通过剪影、色块、刻线、正负形和少量层叠重新概括，使人能够一眼识别它与上方照片之间的对应关系。主体、植物、建筑、动物、器物或环境元素都应像一块块独立彩纸被重新组合，造型可适度稚拙、符号化、几何化，不追求写实透视和复杂细节，而强调文化感、手工感与当代设计感。

构图保持**小尺度主体 / 章印感主视觉 + 大面积留白**的关系，根据主体自身的方向、比例和视觉重心自由安排位置，可偏心、贴边或局部裁切，但始终保持清晰主次、疏密节奏和编辑式平衡。主体可集中于一侧或下方形成视觉落点，周围只保留极少量辅助元素，不形成多个同等焦点。

材质呈现**剪纸拼贴 + 版画印刷感**：色块边缘可略带手工剪切感、轻微套印偏差、掉墨感和温和颗粒，保留纸张纤维与艺术纸底的质感，避免光滑矢量、3D渲染、照片滤镜和过度精修。背景以米白、暖白或浅纸色为主，保留安静、充足的留白空间。

配色从上方照片中提取 **2–4 种最具辨识度** 的颜色，转化为**鲜明但克制、明快但不刺眼**的扁平色块系统；可适度提纯、提亮与整理，形成主色、辅助色和少量点睛色的清晰层级，既保留原图的情绪与身份，又具有民艺拼贴的当代高级感，避免灰脏、沉闷、廉价糖果感和杂乱配色。

文字少量介入，不限制语种。可根据照片的主体、地点、情绪、文化意象或象征意义，自由提炼简短标题、小字注释、编号、色值标注或说明片段。文字应小、轻、克制，自然落在留白区域或版面边角，与图形共同形成精致的图文关系，不做商业标题堆砌。

整体呈现**新民艺、剪纸拼贴、符号化造型、版画肌理、大面积留白与编辑式排版**共同构成的高级视觉效果，参考 contemporary folk-art illustration with paper-cut collage aesthetics, symbolic geometric forms, screen-print texture and editorial layout。避免写实插画、复杂透视、过密细节、卡通感、3D感、模板化海报感和廉价文创感。