想创作具有影棚级质感且情绪松弛的艺术大片，却苦于无法完美呈现 现代东方极简水墨对比海报 中复杂的细节与光影质感？
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Struggling to create Premium Vertical Editorial Ink Wash Poster with a high-end editorial style? Nanobanana Pro captures the textures and lighting details perfectly for a hyper-realistic masterpiece. Get FREE Prompt, enjoy one-click copy, and create instantly!
Prompt (English):
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Create a premium 3:4 vertical editorial poster using the uploaded photo as the sole reference.
OVERALL FORMAT
The image must use a strict 3:4 vertical composition divided horizontally into two equal regions with an exact 1:1 height ratio. Each region occupies exactly 50% of the total image height.
UPPER REGION: ORIGINAL PHOTO
Use the original uploaded photo directly as the upper 50% of the composition.
Preserve the subject's exact identity, facial features, body structure, proportions, posture, perspective, clothing, materials, lighting, and original color atmosphere.
Do not regenerate, reshape, distort, stretch, beautify, or alter the subject.
Only apply subtle high-end color grading, image purification, refined tonal balance, and gentle detail enhancement, giving the image the refined texture of an art magazine or exhibition photograph.
The background may be moderately expanded to fit the 3:4 composition, but the subject must remain completely unchanged in structure, posture, proportions, and core composition.
LOWER REGION: MINIMALIST INK WASH RECONSTRUCTION
Reconstruct the same subject and scene as a minimalist contemporary ink wash artwork.
First identify and preserve the most recognizable elements of the original image, including silhouette, outline, structure, perspective, movement, visual rhythm, spatial relationship, and overall atmosphere.
Do not directly copy photographic details. Do not create a realistic reproduction. Instead, translate the original scene into an artistic ink wash interpretation that preserves its recognizable essence and visual relationship with the upper photograph.
Use a milky white, warm white, or natural paper-white base with delicate paper fibers and subtle organic texture.
Build the artwork using expressive ink wash techniques including dry and wet brushwork, flying white, ink seepage, ink accumulation, soft diffusion, broken edges, layered washes, and intentional white space.
Remove secondary details. Keep only the most distinctive contours, structural transitions, spatial layers, movement, and atmosphere.
The lower artwork should feel summarized, refined, poetic, and intentionally incomplete rather than realistically detailed.
INK AND COLOR
Use black, charcoal gray, soft gray, and diluted ink tones as the dominant palette.
Create clear tonal layering with varied ink density, pressure, rhythm, and transparency.
Extract only a few emotionally important colors from the original image and reinterpret them as small areas of artistic staining or pigment.
Colors may transform naturally into blue-gray, distant blue, soft gold, warm yellow, vermilion red, light cyan, or similar restrained tones.
Do not mechanically reproduce the original color values.
Ink and negative space must remain dominant.
Avoid muddy brown, dull vintage tones, heavy coloring, excessive decoration, or vulgar color combinations.
COMPOSITION AND NEGATIVE SPACE
The main reconstructed subject should occupy approximately 30% to 45% of the lower half.
Reserve the remaining area for generous negative space.
The artwork may be asymmetrically positioned, partially framed, suspended, slightly cropped, or offset.
Maintain strong asymmetrical balance and a sophisticated editorial composition.
The edges of the ink artwork should gradually loosen, fragment, fade, scatter, and disappear into the paper, creating a natural sense of breathing space.
Negative space must function as an intentional visual element, not as empty unused space.
Reduce information rather than filling the entire lower region.
The final lower section should resemble a refined ink seal, contemporary Eastern material study, or museum-quality oriental artwork displayed on a clean editorial page.
TEXT
Use very little text.
Do not add preset titles, numbers, labels, or template typography.
If appropriate, extract only a few meaningful words or a very short phrase related to the subject, location, time, action, emotion, or metaphor.
Place the text quietly within the negative space or near the edge of the artwork.
Typography must remain subtle, sparse, elegant, and secondary to the visual composition.
OVERALL AESTHETIC
Contemporary Eastern aesthetics.
Minimalist ink wash reconstruction.
Premium art magazine presentation.
Exhibition photography quality.
Large-scale intentional negative space.
Subtle editorial typography.
Small-scale seal-like visual focus.
Quiet, restrained, poetic atmosphere.
Elegant asymmetrical composition.
Refined paper texture.
Museum-quality visual finish.
Avoid complex backgrounds, excessive photographic details, realistic duplication, decorative clutter, excessive text, rigid template layouts, filled compositions, heavy colors, old-fashioned brown tones, and unnecessary visual elements.中文参考:
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使用上传的照片作为唯一参考，创建一张高级 3:4 竖向编辑海报。
整体格式
图像必须采用严格的 3:4 竖向构图，水平分为两个高度比例精确为 1:1 的相等区域。每个区域正好占据图像总高度的 50%。
上半区域：原始照片
直接将原始上传的照片用作构图的上半部 50%。
保留主体的准确身份、面部特征、身体结构、比例、姿势、透视、服装、材质、光影和原始色彩氛围。
不要重新生成、重塑、扭曲、拉伸、美化或改变主体。
仅应用细微的高端调色、图像净化、精细的色调平衡和柔和的细节增强，使图像具有艺术杂志或展览照片的精致质感。
背景可以适度扩展以适应 3:4 的构图，但主体的结构、姿势、比例和核心构图必须保持完全不变。
下半区域：极简水墨重构
将相同的主体和场景重构为极简主义的当代水墨艺术品。
首先识别并保留原始图像中最具辨识度的元素，包括轮廓、外形、结构、透视、动作、视觉节奏、空间关系和整体氛围。
不要直接复制摄影细节。不要进行写实再现。相反，将原始场景转化为一种艺术化的水墨演绎，保留其可辨识的本质以及与上方照片的视觉关系。
使用乳白色、暖白色或天然纸白色底色，带有细腻的纸张纤维和微妙的有机纹理。
使用表现力丰富的水墨技法构建作品，包括干湿笔触、飞白、沁墨、积墨、柔和扩散、断边、分层渲染和有意的留白。
移除次要细节。仅保留最独特的轮廓、结构过渡、空间层次、动作和氛围。
下方的艺术作品应该是高度概括、精炼、富有诗意且有意不完整的，而不是写实细节的。
墨色与色彩
使用黑色、木炭灰、柔和的灰色和稀释的墨色调作为主导色调。
通过不同的墨浓度、压力、节奏和透明度创造清晰的色调层次。
仅从原始图像中提取少量情感重要的颜色，并将其重新演绎为小面积的艺术晕染或颜料。
颜色可以自然地转化为蓝灰色、远山蓝、柔金、暖黄、朱红、淡青或类似的克制色调。
不要机械地复制原始颜色的数值。
水墨和留白必须保持主导地位。
避免浑浊的褐色、沉闷的复古色调、重彩、过度装饰或庸俗的色彩组合。
构图与留白
重构的主要主体应占据下半部分的约 30% 到 45%。
剩余区域留出大量的负空间（留白）。
艺术作品可以非对称定位、部分构图、悬浮、略微剪裁或偏移。
保持强烈的非对称平衡和精致的编辑式构图。
水墨作品的边缘应逐渐松散、破碎、褪色、消散并消失在纸张中，创造一种自然的呼吸感。
负空间必须作为一种有意的视觉元素而存在，而不是未使用的空白。
通过减少信息而非填满整个下方区域来构图。
最终的下方部分应像精美的水墨印章、当代东方材质研究或展示在干净编辑页面上的博物馆级东方艺术品。
文字
使用极少的文字。
不要添加预设标题、数字、标签或模板排版。
如果合适，仅提取少量与主体、地点、时间、动作、情感或隐喻相关的有意义词汇或极短的短语。
将文字安静地放置在负空间内或艺术作品边缘附近。
排版必须保持微妙、稀疏、优雅，并服从于视觉构图。
整体美学
当代东方美学。
极简水墨重构。
高级艺术杂志呈现。
展览摄影品质。
大面积有意的留白。
微妙的编辑排版。
印章式的视觉焦点。
安静、克制、富有诗意的氛围。
优雅的非对称构图。
精细的纸张纹理。
博物馆级的视觉效果。
避免复杂的背景、过多的摄影细节、写实复制、装饰堆砌、过多的文字、僵化的模板布局、填满的构图、沉重的色彩、过时的褐色调以及不必要的视觉元素。
